She hit the ground - rolling, tumbling, sliding. Bouncing to a stop, she thought the experience really ought to hurt more than it actually did. Sitting up, her head spinning, she once more took stock of her surroundings. This time she found herself in a cobbled alley. It was twilight, and everything around her was grey and fuzzy, including the sky. Leaning back against the lumpy stone wall behind her, she regarded those on either side, stretching away into the gloom, trying to catch her breath.
Using the wall behind her to lever herself to a standing position, she dusted herself down, and shook her head to clear it. The walls extended to just above head height, with various bits of other walls and roofs visible above this.
Then it hit her. She had sat up facing in the same direction that she had been travelling, yet she had sat back to rest against a wall behind her. Purly's words returned:
"...Your mind's closing stuff off as you go. You can only go forward. If you go back, they'll have you..."
Cautiously, she leaned towards the wall that closed off the end of the alley, and placed her ear to it. Her eyes widened as she heard those same unsettling sounds she'd heard behind the wall in the room with Purly. They were quieter, sounded further away than they had, but they were still, unmistakeably, there. Straightening up, she began to think.
So. Space seemed to mean little here. She had no idea how far or how long she had travelled through that void to reach this alley. However, she had vague memories of floating there for some time. It had been utterly black, and she'd had no sense of movement, though she had certainly arrived in the alley at some speed. But perhaps there was no air in there to create wind to batter her face and tug at her clothes? She shied away from this thought, however, since that would mean that she had been travelling through a vacuum. Yet she had not suffered the effects of depressurisation. The saliva in her mouth had not boiled, and she had not blacked out. At least, she believed she had not. The blackness in that place, though, was so profound, that she wondered if she would even have been able to tell. But she seemed to recall a coherent chain of thought, even if she could no longer say what any of the links in that chain had been. Perhaps she had only been unconscious and dreaming? But she dismissed that idea, because....
The ground trembled. Just a little, but she felt it. Quickly pressing her ear back to the wall, adrenaline began to flood her system. Her heart rate and breathing increased as her fight or flight instinct kicked in. The sounds were clearer. Closer. Fighting was not an option, certainly not yet. She had no idea what "they" were, but she most certainly did not want to meet "them".
She chose flight.
.
Monday, 31 May 2010
procrastinating
i'm currently trying to get around to writing the next part of Deathdream. however, since i have absolutely no idea what happens next (other than one or two vague ideas involvng cobbles and rooftops and walls...um...), i thought i'd write this instead.
i'm still trying to work out how the writing part of my brain functions. so far, it seems to be, rather like the rest of me, fairly erratic. i seem to go for days not feeling it, then get a quick burst of a day or so, then nothing much again for a bit. check the posting dates and times of deahdream and you'll see what i mean. in between, though, i seem to get these occasional flashes of what can only be described as "Other Stuff".
(hmmm...that's an awful lot of "seeming"... *editor-self raps writer-self over the knuckles with a wooden ruler that goes "byoyoyoyoyonnng"*)
take this morning, for instance. i was suspended between waking and sleeping and, as has happened to me before when i've been in this place, the germ of a story sidled into my head. not a very long one though. i suppose it would more-or-less be categorised as "flash fiction" (which is, BTW, a term whose meaning i'm still only hazily familliar with...). the weird thing was, i was actually dreaming in words. i don't mean i was dreaming a voice telling me the story, i mean i was actually watching the words appear before my eyes, overlaid on the scene they were describing. which, of course, didn't strike me as the slightest bit odd at the time, since i was dreaming, and these things don't.
but it strikes me as somewhat odd now. encouraging, but odd. because this is kinda sorta how i read. i see the words, but i also see the pictures...
forgive me, i'm rambling. i'm also, as it happens, cursing myself, since i could remember every single word when i woke up. and it seemed coherent (which, let's face it, so often isn't the case), and i didn't write it down.
damn! damn! damn!
and now, thanks to the usual distractions of a busy day (doing little but reading), most of it has disappeared back to where it came from. i am kicking myself so hard at the moment, because i can remember the basic shape of it, but not the linguistic nuances that made it more than just words strung together.
it's gone flat.
***
just as an aside, it occurs to me to wonder if that's where i keep my story silt, between the shores of sleeping and waking...?
i'm still trying to work out how the writing part of my brain functions. so far, it seems to be, rather like the rest of me, fairly erratic. i seem to go for days not feeling it, then get a quick burst of a day or so, then nothing much again for a bit. check the posting dates and times of deahdream and you'll see what i mean. in between, though, i seem to get these occasional flashes of what can only be described as "Other Stuff".
(hmmm...that's an awful lot of "seeming"... *editor-self raps writer-self over the knuckles with a wooden ruler that goes "byoyoyoyoyonnng"*)
take this morning, for instance. i was suspended between waking and sleeping and, as has happened to me before when i've been in this place, the germ of a story sidled into my head. not a very long one though. i suppose it would more-or-less be categorised as "flash fiction" (which is, BTW, a term whose meaning i'm still only hazily familliar with...). the weird thing was, i was actually dreaming in words. i don't mean i was dreaming a voice telling me the story, i mean i was actually watching the words appear before my eyes, overlaid on the scene they were describing. which, of course, didn't strike me as the slightest bit odd at the time, since i was dreaming, and these things don't.
but it strikes me as somewhat odd now. encouraging, but odd. because this is kinda sorta how i read. i see the words, but i also see the pictures...
forgive me, i'm rambling. i'm also, as it happens, cursing myself, since i could remember every single word when i woke up. and it seemed coherent (which, let's face it, so often isn't the case), and i didn't write it down.
damn! damn! damn!
and now, thanks to the usual distractions of a busy day (doing little but reading), most of it has disappeared back to where it came from. i am kicking myself so hard at the moment, because i can remember the basic shape of it, but not the linguistic nuances that made it more than just words strung together.
it's gone flat.
***
just as an aside, it occurs to me to wonder if that's where i keep my story silt, between the shores of sleeping and waking...?
Sunday, 30 May 2010
Deathdream #10
"P... Purly?"
The girl sat very still, relaxed, and continued her calm scrutiny.
Marina was baffled. A million questions once again squirmed through her mind. But all she could say was, "You're here?"
"Yes. I have to be."
Marina looked around the room, taking in the fact that it was practically empty. Nothing sat on the bare, dusty floorboards save Purly's chair, and the only thing that adorned the walls was a stone mantelpiece. No hearth, no fireplace, just the mantelpiece. No window and, as she turned to look behind her, no door. Just another blank wall.
She turned back to look at the girl who's head was, once again, bent to her embroidery, her fingers flickering with blinding speed and agonising slowness as she worked each stitch into the circle of stretched linen she held.
"They're coming for you, you know," said Purly, in a conversational tone, without moving her head or, as far as Marina could see, her lips. "That's why you can't go back. Your mind's closing stuff off as you go. You can only go forward. If you go back, they'll have you. You shouldn't really look back, even. You're going to have to use it. Soon, too."
"They? Who are they? And use what?"
"Your courage. Your confidence. Your body. Your ability," said Purly, ignoring the first part of the question. "Anything you've got, really. Including your name." She paused. "If you remember it, that is."
"But I can't! I don't know what it is!" said Marina, almost in a wail.
"You'll have to work something out, then. Can't let them get you. If you're chased, you can't get caught, or it really is all over."
Marina shivered at the cold certainty radiating from this ten year old girl. Suddenly, her knees gave out, and she slumped to the floor, her monochrome clothes billowing around her in ripples and waves. Sitting cross-legged on the dusty floor, her hands in her lap, Marina stared at the patterns in the grain of the scuffed boards. They began to undulate before her eyes, but she paid this no heed.
She was thinking.
A person may have many names, throughout their life. Some given, some taken, some self-bestowed. Of these, any one of them may be their true name, but it was most likely to be a name one gives to oneself. Then she stopped this thought with another.
The veracity of a person's name depended on the knowledge and instinct of the person that had given it, surely? If a person gave themself a name, but had little self-knowledge, that could not possibly be their true name, since it did not reflect them truly. Likewise, if a stranger bestowed a name on a person, even if that stranger had no knowledge of the person they were naming, but still felt it instinctively, surely that could be a name as true as any other?
She searched around inside herself, and found little to examine. However she had got here, wherever here was, it seemed to have wiped her memory and knowledge of herself clean. But since there was little of her self or her memory to know in this place, surely any name she gave herself would, by default, be true? As far as it went, at least?
She decided that, at the moment, until she found out something more, this could only be the case, and she would just have to believe it as hard as she could.
"I am Marina." She whispered. Then, more loudly, "I am Marina. I came from the water, and I can sing them from the trees."
At this, Purly looked up, piercing Marina and pinning her to the wall with the sharpness of the look shot from her eye. "How did you know that?" she demanded.
"Because I do. Because I can," said Marina, sitting up a little straighter, and returning the sharp look with one of her own. "Right here, right now, I am Marina, and I sing them from the trees." Then she deflated a little, almost imperceptibly. "But I have no trees to sing them from."
"Better find some, then, before they find you," was the succinct reply.
Marina privately agreed with this, though she had absolutely no idea of how to go about finding trees in this small, square, shabby, windowless room.
There must be a way out. There had to be. She found it utterly impossible to believe that the cosmos had decreed she should spend eternity trapped in this small place.
Getting to her feet, Marina began to examine the walls, he floor, the ceiling. The walls were all apparently solid, constructed of plaster over bricks, or perhaps stone. The floor did not sound hollow when she banged it with her fists and heels. No echo or hollowness sounding there, at all. The ceiling, she could not reach, not even when she had borrowed Purly's chair and stood on it.
She did not, however, examine the wall that had so recently held the door she had entered by. She had taken Purly's warning to heart, and was not going to look back for anything. She could only look forward, and hope she chose the right path. And besides that, when she walked close to that wall, taking great pains not to touch it, look at it, or otherwise acknowledge its presence, she heard things. Growlings and slitherings. Grisly cracklings, and wet hissings and tearings. And, very far away, very hard to hear - but there to be heard, nonetheless - there were shrieking and wailings and moanings, as of the trapped and the despairing. She had no wish to become a member of that muted chorus. So she ignored that one wall, continuing her examination of the rest of the room with minute attention to detail, and systematic thoroughness.
Then, there came a small, slightly exasperated sigh. "Marina, you're looking in the wrong place."
Then Marina realised. Her eyes turned to the mantelpiece. Snatching a knife from her belt, she dove at the blank wall framed by the mantelpiece, and drove the knife in to it with all of her might. The wall transmuted to a black void, and she was sucked through.
The girl sat very still, relaxed, and continued her calm scrutiny.
Marina was baffled. A million questions once again squirmed through her mind. But all she could say was, "You're here?"
"Yes. I have to be."
Marina looked around the room, taking in the fact that it was practically empty. Nothing sat on the bare, dusty floorboards save Purly's chair, and the only thing that adorned the walls was a stone mantelpiece. No hearth, no fireplace, just the mantelpiece. No window and, as she turned to look behind her, no door. Just another blank wall.
She turned back to look at the girl who's head was, once again, bent to her embroidery, her fingers flickering with blinding speed and agonising slowness as she worked each stitch into the circle of stretched linen she held.
"They're coming for you, you know," said Purly, in a conversational tone, without moving her head or, as far as Marina could see, her lips. "That's why you can't go back. Your mind's closing stuff off as you go. You can only go forward. If you go back, they'll have you. You shouldn't really look back, even. You're going to have to use it. Soon, too."
"They? Who are they? And use what?"
"Your courage. Your confidence. Your body. Your ability," said Purly, ignoring the first part of the question. "Anything you've got, really. Including your name." She paused. "If you remember it, that is."
"But I can't! I don't know what it is!" said Marina, almost in a wail.
"You'll have to work something out, then. Can't let them get you. If you're chased, you can't get caught, or it really is all over."
Marina shivered at the cold certainty radiating from this ten year old girl. Suddenly, her knees gave out, and she slumped to the floor, her monochrome clothes billowing around her in ripples and waves. Sitting cross-legged on the dusty floor, her hands in her lap, Marina stared at the patterns in the grain of the scuffed boards. They began to undulate before her eyes, but she paid this no heed.
She was thinking.
A person may have many names, throughout their life. Some given, some taken, some self-bestowed. Of these, any one of them may be their true name, but it was most likely to be a name one gives to oneself. Then she stopped this thought with another.
The veracity of a person's name depended on the knowledge and instinct of the person that had given it, surely? If a person gave themself a name, but had little self-knowledge, that could not possibly be their true name, since it did not reflect them truly. Likewise, if a stranger bestowed a name on a person, even if that stranger had no knowledge of the person they were naming, but still felt it instinctively, surely that could be a name as true as any other?
She searched around inside herself, and found little to examine. However she had got here, wherever here was, it seemed to have wiped her memory and knowledge of herself clean. But since there was little of her self or her memory to know in this place, surely any name she gave herself would, by default, be true? As far as it went, at least?
She decided that, at the moment, until she found out something more, this could only be the case, and she would just have to believe it as hard as she could.
"I am Marina." She whispered. Then, more loudly, "I am Marina. I came from the water, and I can sing them from the trees."
At this, Purly looked up, piercing Marina and pinning her to the wall with the sharpness of the look shot from her eye. "How did you know that?" she demanded.
"Because I do. Because I can," said Marina, sitting up a little straighter, and returning the sharp look with one of her own. "Right here, right now, I am Marina, and I sing them from the trees." Then she deflated a little, almost imperceptibly. "But I have no trees to sing them from."
"Better find some, then, before they find you," was the succinct reply.
Marina privately agreed with this, though she had absolutely no idea of how to go about finding trees in this small, square, shabby, windowless room.
There must be a way out. There had to be. She found it utterly impossible to believe that the cosmos had decreed she should spend eternity trapped in this small place.
Getting to her feet, Marina began to examine the walls, he floor, the ceiling. The walls were all apparently solid, constructed of plaster over bricks, or perhaps stone. The floor did not sound hollow when she banged it with her fists and heels. No echo or hollowness sounding there, at all. The ceiling, she could not reach, not even when she had borrowed Purly's chair and stood on it.
She did not, however, examine the wall that had so recently held the door she had entered by. She had taken Purly's warning to heart, and was not going to look back for anything. She could only look forward, and hope she chose the right path. And besides that, when she walked close to that wall, taking great pains not to touch it, look at it, or otherwise acknowledge its presence, she heard things. Growlings and slitherings. Grisly cracklings, and wet hissings and tearings. And, very far away, very hard to hear - but there to be heard, nonetheless - there were shrieking and wailings and moanings, as of the trapped and the despairing. She had no wish to become a member of that muted chorus. So she ignored that one wall, continuing her examination of the rest of the room with minute attention to detail, and systematic thoroughness.
Then, there came a small, slightly exasperated sigh. "Marina, you're looking in the wrong place."
Then Marina realised. Her eyes turned to the mantelpiece. Snatching a knife from her belt, she dove at the blank wall framed by the mantelpiece, and drove the knife in to it with all of her might. The wall transmuted to a black void, and she was sucked through.
Deathdream #9
On reaching the top, Marina stopped, one hand still resting on the banister, staring down the long corridor in front of her. The walls were raw plaster, grey and rotting, punctuated with doors on either side. The end of the corridor was lost in darkness.
She took a hesitant step forward, and then stopped. She could feel something pulling on her. Treacly strings of... something... were seemingly attached to her bones and organs, exerting a gentle tug. Not enough to drag her backwards, but enough to drag on her soul when she tried to move forwards. Fearfully she glanced over her shoulder. Nothing but the continuation of the corridor stretching away into shadow behind her. No stairway, no atrium, no light source that she could see. No sound but the soft hissing of her breath, and the venous hum of her blood, rushing through her flesh.
Her left hand was resting on another round brass doorknob. The door itself was a greyish white panelled affair - heavy and solid. The surface of the paint leprous with bubbling and peeling patches, a sticky amber substance oozing through the odd crack and join. It was not an inviting door. But she grasped the handle with both hands and turned it, nonetheless. This one turned more easily than the outer door, but was still stiff. It availed her nothing, however, since the door, when she tentatively pushed, did not budge a millimetre. It was very firmly jammed. She thought at first that it may be locked, but she could not see a keyhole. Then, looking closer, she saw that it did not have a crack between the frame and the door itself, either. She could not, when she tried, even get a fingernail between the two. The door was part of the frame. Not a real door at all, but an elaborate piece of panelling.
A joke. A three dimensional trompe l'oeil.
This gave her pause. She tried another door, then another, moving from door to door with increasing desperation as she tried, again and again, to find the one true portal in this corridor of falsehoods. Mindlessly, now, she banged on doors, rattled handles, and shrieked for someone to let her out, let her in, let her free, let her breathe, as she noticed that the corridor walls were beginning, almost imperceptibly, to move closer and closer together. Her panic increased to the borders of hysteria as she imagined the walls closing in on her completely, crushing her organs, grinding her bones against each other, until she could no longer move or breathe.
Then she saw, through the haze of her madness, light seeping under one of the nearby doors. Flinging herself at it, she wrestled with the handle until it grudgingly turned, and threw herself into the room beyond.
In the centre of the room sat Purly on a straight-backed wooden chair. Glancing up from her embroidery, casual and unsurprised, she said, "Oh, hello Marina."
.
She took a hesitant step forward, and then stopped. She could feel something pulling on her. Treacly strings of... something... were seemingly attached to her bones and organs, exerting a gentle tug. Not enough to drag her backwards, but enough to drag on her soul when she tried to move forwards. Fearfully she glanced over her shoulder. Nothing but the continuation of the corridor stretching away into shadow behind her. No stairway, no atrium, no light source that she could see. No sound but the soft hissing of her breath, and the venous hum of her blood, rushing through her flesh.
Her left hand was resting on another round brass doorknob. The door itself was a greyish white panelled affair - heavy and solid. The surface of the paint leprous with bubbling and peeling patches, a sticky amber substance oozing through the odd crack and join. It was not an inviting door. But she grasped the handle with both hands and turned it, nonetheless. This one turned more easily than the outer door, but was still stiff. It availed her nothing, however, since the door, when she tentatively pushed, did not budge a millimetre. It was very firmly jammed. She thought at first that it may be locked, but she could not see a keyhole. Then, looking closer, she saw that it did not have a crack between the frame and the door itself, either. She could not, when she tried, even get a fingernail between the two. The door was part of the frame. Not a real door at all, but an elaborate piece of panelling.
A joke. A three dimensional trompe l'oeil.
This gave her pause. She tried another door, then another, moving from door to door with increasing desperation as she tried, again and again, to find the one true portal in this corridor of falsehoods. Mindlessly, now, she banged on doors, rattled handles, and shrieked for someone to let her out, let her in, let her free, let her breathe, as she noticed that the corridor walls were beginning, almost imperceptibly, to move closer and closer together. Her panic increased to the borders of hysteria as she imagined the walls closing in on her completely, crushing her organs, grinding her bones against each other, until she could no longer move or breathe.
Then she saw, through the haze of her madness, light seeping under one of the nearby doors. Flinging herself at it, she wrestled with the handle until it grudgingly turned, and threw herself into the room beyond.
In the centre of the room sat Purly on a straight-backed wooden chair. Glancing up from her embroidery, casual and unsurprised, she said, "Oh, hello Marina."
.
Tuesday, 25 May 2010
Deathdream #8
...and here's a bit more. a little boring, perhaps, but still...
by the way, this is going up with little or no editing, as i need distance to edit properly, so if i ever pull it together and put it up somewhere as a whole, repetitions and clunky sentences will be dealt with then.
...um...sorry about that....hope it's not too dull or irritating nonthless...
-
Hobbling and wincing as the gravel abused the soles of her feet, Marina came to the end of the path, which opened out into a wide gravelled apron before the building. She stopped, gazing up at the edifice before her.
Massive and circular, the yellow-grey building loomed over her. Three storeys tall, there were high windows all around the sides and, around the top of the first and third storeys, intricate stone friezes decorated the walls. Looking in despair at the wide expanse of gravel between her and the building, she gritted her teeth and began a mincing traverse. Halfway across, she decided that the mincing was just prolonging the pain in her feet, so she changed her stride to a wider, more confident one and tried to ignore the pummelling on the soles of her feet. Her approach was rapid, after that, and she was soon at the bottom of a set of three steps that led up to a flag stoned pavement that seemed to circle the building. With relief, she stepped on to the smooth stones; her only discomfort now was the gritty dust between her toes, and the odd sharp piece of gravel that had stuck to the bottom of her feet. These, however, were easy to ignore out of existence. She wandered around the building a little way, looking at the frieze. It was intricate, yes, but details were hard to make out. The sandstone it was carved from was badly weathered, leaving whatever it had been to resemble strange creatures doing strange things. Indecipherable, but fascinating, the frieze held her attention for quite some time. She wandered all the way around the building, the representations making less and less sense, until she came back to where she’d started from, and stood for a moment.
It still made no sense to her conscious mind, but something about it was tugging at her subconscious, and she couldn’t work out what it was. Like the question of how she got into the lake, though, she knew that she probably would not be able to work out the puzzle any time soon, so she let it go. For now.
Much more interesting at the moment was what was behind the door she stood in front of. It was a white painted wooden affair, about ten feet tall, and proportionately wider than a normal door. There were about a dozen panes of glass inset into it, but the interior of the building appeared darker than she would expect, considering the number of windows around the outside of it. This, coupled with the reflections of sky on the glass, was enough to render her unable to see what lay beyond the door. Looking around for a handle, she found a round one at knee level, and bent down to try and open the door.
Her hands, no matter how tightly she grasped the orb, slipped and slid around its polished brass surface, and she struggled and cursed, trying to get the handle to work. Eventually, using both hands, she got it to turn, and pushed the door slowly inwards, stepping into the interior of the building.
A shaft of light from the open door followed her in, but that disappeared as she walked a little further, and the door shut firmly behind her. Spinning around, she was confronted by a smooth, blank wall, which she followed with her eyes, until it was lost in the shadows further along. Turning back to face the centre of the building, she examined her surroundings. The ceiling was supported by pillars at various points, and extended a good thirty feet, before ending abruptly at two concentric circles of pillars about ten feet apart, surrounding the central part of the floor. Warily, she moved forwards, weaving around pillars, until she came to the central area, which was flooded with sunlight. At each point of the compass, a stairway curved away from the flagged floor. These linked two galleries, one on each floor, which circled the space completely. In the domed ceiling high above, there was a wide, multifaceted skylight, allowing the sunlight to pour thickly into this atrium, weighing heavily on her head.
The central space was large, and completely empty, save for her. It looked somewhat dusty and abandoned, but the sunlight had warmed the flagstones so they felt soft on her feet, almost like hard pillows. Marina turned full circle, looking for some way out of this seemingly abandoned space. Finding none obvious, her attention shifted to the nearest stairway, which was covered in a once grand but now threadbare red carpet. She decided that she may find some clue to how to get out on one of the other floors, if they weren’t both empty as well. Seizing the banister with her left hand, she began to climb, anticlockwise, up to the first gallery of this strange building.
.
by the way, this is going up with little or no editing, as i need distance to edit properly, so if i ever pull it together and put it up somewhere as a whole, repetitions and clunky sentences will be dealt with then.
...um...sorry about that....hope it's not too dull or irritating nonthless...
-
Hobbling and wincing as the gravel abused the soles of her feet, Marina came to the end of the path, which opened out into a wide gravelled apron before the building. She stopped, gazing up at the edifice before her.
Massive and circular, the yellow-grey building loomed over her. Three storeys tall, there were high windows all around the sides and, around the top of the first and third storeys, intricate stone friezes decorated the walls. Looking in despair at the wide expanse of gravel between her and the building, she gritted her teeth and began a mincing traverse. Halfway across, she decided that the mincing was just prolonging the pain in her feet, so she changed her stride to a wider, more confident one and tried to ignore the pummelling on the soles of her feet. Her approach was rapid, after that, and she was soon at the bottom of a set of three steps that led up to a flag stoned pavement that seemed to circle the building. With relief, she stepped on to the smooth stones; her only discomfort now was the gritty dust between her toes, and the odd sharp piece of gravel that had stuck to the bottom of her feet. These, however, were easy to ignore out of existence. She wandered around the building a little way, looking at the frieze. It was intricate, yes, but details were hard to make out. The sandstone it was carved from was badly weathered, leaving whatever it had been to resemble strange creatures doing strange things. Indecipherable, but fascinating, the frieze held her attention for quite some time. She wandered all the way around the building, the representations making less and less sense, until she came back to where she’d started from, and stood for a moment.
It still made no sense to her conscious mind, but something about it was tugging at her subconscious, and she couldn’t work out what it was. Like the question of how she got into the lake, though, she knew that she probably would not be able to work out the puzzle any time soon, so she let it go. For now.
Much more interesting at the moment was what was behind the door she stood in front of. It was a white painted wooden affair, about ten feet tall, and proportionately wider than a normal door. There were about a dozen panes of glass inset into it, but the interior of the building appeared darker than she would expect, considering the number of windows around the outside of it. This, coupled with the reflections of sky on the glass, was enough to render her unable to see what lay beyond the door. Looking around for a handle, she found a round one at knee level, and bent down to try and open the door.
Her hands, no matter how tightly she grasped the orb, slipped and slid around its polished brass surface, and she struggled and cursed, trying to get the handle to work. Eventually, using both hands, she got it to turn, and pushed the door slowly inwards, stepping into the interior of the building.
A shaft of light from the open door followed her in, but that disappeared as she walked a little further, and the door shut firmly behind her. Spinning around, she was confronted by a smooth, blank wall, which she followed with her eyes, until it was lost in the shadows further along. Turning back to face the centre of the building, she examined her surroundings. The ceiling was supported by pillars at various points, and extended a good thirty feet, before ending abruptly at two concentric circles of pillars about ten feet apart, surrounding the central part of the floor. Warily, she moved forwards, weaving around pillars, until she came to the central area, which was flooded with sunlight. At each point of the compass, a stairway curved away from the flagged floor. These linked two galleries, one on each floor, which circled the space completely. In the domed ceiling high above, there was a wide, multifaceted skylight, allowing the sunlight to pour thickly into this atrium, weighing heavily on her head.
The central space was large, and completely empty, save for her. It looked somewhat dusty and abandoned, but the sunlight had warmed the flagstones so they felt soft on her feet, almost like hard pillows. Marina turned full circle, looking for some way out of this seemingly abandoned space. Finding none obvious, her attention shifted to the nearest stairway, which was covered in a once grand but now threadbare red carpet. She decided that she may find some clue to how to get out on one of the other floors, if they weren’t both empty as well. Seizing the banister with her left hand, she began to climb, anticlockwise, up to the first gallery of this strange building.
.
Deathdream #7
really enjoyed writing this bit...was in the zone...
-
A soft, warm summer breeze tugged at her shift, making her cloak ripple and shimmer in the bright sunlight as she slowly made her way across the grass to the edge of the path. Leaning over one of the lower points in the shrub border, she saw that the path was made of gravel. She knew she must follow the path, but to spare her bare feet, she would walk parallel to it, on the soft grass of the lawn.
As she walked, she trailed her fingers along the tightly-clipped bushes on her right. The feel of the tips of the leaves tickling the places where her fingers joined her palm was pleasant, and she half-closed her eyes – almost floating along the grass, doing nothing but savouring the sensations of foliage and soft, warm air against her skin.
Abruptly, she was brought back to herself as she came hard up against a dense hedge at the edge of the lawn that she had not noticed before. Dark, forest green in colour, it formed an impenetrable barrier to any further forward movement. And it worried her. keeping her eyes fixed on the barrier, lest it move and engulf her, her breath coming a little quicker as her hackles began to rise once again, Marina edged to her right, groping blindly for one of those lower points in the path’s shrubbery edges, so she could step over on to the path.
Backing away, her eyes still fixed on the unexpected hedge, she failed to find any lower places, but the dense foliage seemed to have opened out in this part of the path so, keeping her eyes on the hedge for as long as she could, she edged her way in between the small, prickly branches. As she pushed through, she felt the branches tear at her hair, her cloak, her shift, her skin. Terrified that they would rip her and her clothing to shreds, she contorted her body into all sorts of odd positions, twisting and writhing her sinuous way through, as her feet were prickled unkindly by dead leaves, dry earth, and roots.
The squirming seemed to go on forever until, at last, she felt her right hand once again break through into fresh air, quickly followed by her arm, and then the rest of her body.
Wincing as she stepped on to the wide, sandy coloured gravel path, she looked down to check her monochrome garments had not been too badly damaged by her traverse through the clinging, snatching branchlets. Fortunately, they had not. The hem of her shift still fluttered around her ankles, and her feathered cloak only seemed to have lost one or two feathers to the tugging and grasping of the shrubs. She peered into the depths of the dense woodland now beside her, and saw a couple of feathers glinting in the gloom. This made her feel somehow uneasy, but she decided to leave them there, since she had no wish to go back into that gloom. Even as she watched, branches and twigs in there seemed to be growing longer, sharper, more dense. Ivy was twining itself up from the ground, around the wizened and twisted trunks and branches, until that way was as impenetrable as the hedge that had first caused her to move on to the path.
Glancing along the wide pathway, she saw that the other side was similarly blocked; the vegetation was now, also, much, much higher, blocking out the sunlight, and beginning to cast the wide pathway into gloom. Glancing behind her, she saw the path narrowing to nothing not far behind her; ivy tendrils crawling and snaking across the path as she watched, trees springing through the gravel and barring her way. Looking ahead, she could still see blue sky and small cumulus clouds, framing the roof of a sandstone building at the end of the path. Hackles rising for a third time at the slithering and rustling in the growing green gloom behind her, she hurried forwards.
.
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A soft, warm summer breeze tugged at her shift, making her cloak ripple and shimmer in the bright sunlight as she slowly made her way across the grass to the edge of the path. Leaning over one of the lower points in the shrub border, she saw that the path was made of gravel. She knew she must follow the path, but to spare her bare feet, she would walk parallel to it, on the soft grass of the lawn.
As she walked, she trailed her fingers along the tightly-clipped bushes on her right. The feel of the tips of the leaves tickling the places where her fingers joined her palm was pleasant, and she half-closed her eyes – almost floating along the grass, doing nothing but savouring the sensations of foliage and soft, warm air against her skin.
Abruptly, she was brought back to herself as she came hard up against a dense hedge at the edge of the lawn that she had not noticed before. Dark, forest green in colour, it formed an impenetrable barrier to any further forward movement. And it worried her. keeping her eyes fixed on the barrier, lest it move and engulf her, her breath coming a little quicker as her hackles began to rise once again, Marina edged to her right, groping blindly for one of those lower points in the path’s shrubbery edges, so she could step over on to the path.
Backing away, her eyes still fixed on the unexpected hedge, she failed to find any lower places, but the dense foliage seemed to have opened out in this part of the path so, keeping her eyes on the hedge for as long as she could, she edged her way in between the small, prickly branches. As she pushed through, she felt the branches tear at her hair, her cloak, her shift, her skin. Terrified that they would rip her and her clothing to shreds, she contorted her body into all sorts of odd positions, twisting and writhing her sinuous way through, as her feet were prickled unkindly by dead leaves, dry earth, and roots.
The squirming seemed to go on forever until, at last, she felt her right hand once again break through into fresh air, quickly followed by her arm, and then the rest of her body.
Wincing as she stepped on to the wide, sandy coloured gravel path, she looked down to check her monochrome garments had not been too badly damaged by her traverse through the clinging, snatching branchlets. Fortunately, they had not. The hem of her shift still fluttered around her ankles, and her feathered cloak only seemed to have lost one or two feathers to the tugging and grasping of the shrubs. She peered into the depths of the dense woodland now beside her, and saw a couple of feathers glinting in the gloom. This made her feel somehow uneasy, but she decided to leave them there, since she had no wish to go back into that gloom. Even as she watched, branches and twigs in there seemed to be growing longer, sharper, more dense. Ivy was twining itself up from the ground, around the wizened and twisted trunks and branches, until that way was as impenetrable as the hedge that had first caused her to move on to the path.
Glancing along the wide pathway, she saw that the other side was similarly blocked; the vegetation was now, also, much, much higher, blocking out the sunlight, and beginning to cast the wide pathway into gloom. Glancing behind her, she saw the path narrowing to nothing not far behind her; ivy tendrils crawling and snaking across the path as she watched, trees springing through the gravel and barring her way. Looking ahead, she could still see blue sky and small cumulus clouds, framing the roof of a sandstone building at the end of the path. Hackles rising for a third time at the slithering and rustling in the growing green gloom behind her, she hurried forwards.
.
Monday, 24 May 2010
Deathdream #6
There was a lurch, and a pain behind her eyes. Her foot went down further than she expected it to, and she flailed her arms as she began to tumble forward, unable to open her eyes from the pain of light lancing through her eyelids.
She felt arms around her as Biffy caught her at a peculiar and ungainly angle, and she struggled to stand upright, her head spinning, feeling grass beneath her bare feet.
Still unsteady, she held on to Biffy’s upper arm with her left hand, and he supported her by that elbow, as she shaded her eyes with her right, and squinted them open a tiny slit. A blur of greens and fawns swam across her watery vision, and she screwed her eyes up tight again, placing her hand across them.
“No no no... Just shade them,” said Biffy, tilting her hand back up, and making her wince. “That way, you’ll get used to the light quicker.”
“But it hurts!”
She felt his shoulder move in a shrug.
Then, she realised that the towel had finally fallen off as she fell and struggled upright. Instantly, she dropped into a crouched ball, curled as tightly around herself as she could possibly manage. Groping her hands around for the towel – which surely could not be far away – she whimpered in mortification. Soon, she was clawing at the grass around her as the towel, like the nightdress before it, simply was not there any more.
Finally, in despair, she yanked a big handful of grass and, to her surprise, pulled a sheet of turf up with it, which she wrapped around her shoulders like a cloak. As she stood up in relief, she opened her eyes a little again. Squinting, her eyes still swimming with tears, the pain, at least, was gone, and she was now covered by a long, feathered cloak.
Soothing this black and white confection back over her shoulders, she looked down at the long black and white shift that mercifully now covered her. She sighed in relief. Looking further down, and wiggling her toes, she realised that she was still barefoot, but this did not bother her at all. The grass, after all, tickled her feet pleasantly, and the air was warm. Looking around, she found herself standing on a manicured lawn, which was bisected by a path lined with shrubs of all sorts of curious shapes and sizes. The lawn was surrounded by trees with dark, deep shadows hovering beneath them. Seeing these shadows made the back of her neck prickle as her hackles rose. The only open aspect she could see was in the direction the path led. Over the tops of the higher of the oddly-shaped shrubs, she could make out a roof.
But she was alone. Of Biffy, Amanita, and Purlieu, there was no sign.
.
She felt arms around her as Biffy caught her at a peculiar and ungainly angle, and she struggled to stand upright, her head spinning, feeling grass beneath her bare feet.
Still unsteady, she held on to Biffy’s upper arm with her left hand, and he supported her by that elbow, as she shaded her eyes with her right, and squinted them open a tiny slit. A blur of greens and fawns swam across her watery vision, and she screwed her eyes up tight again, placing her hand across them.
“No no no... Just shade them,” said Biffy, tilting her hand back up, and making her wince. “That way, you’ll get used to the light quicker.”
“But it hurts!”
She felt his shoulder move in a shrug.
Then, she realised that the towel had finally fallen off as she fell and struggled upright. Instantly, she dropped into a crouched ball, curled as tightly around herself as she could possibly manage. Groping her hands around for the towel – which surely could not be far away – she whimpered in mortification. Soon, she was clawing at the grass around her as the towel, like the nightdress before it, simply was not there any more.
Finally, in despair, she yanked a big handful of grass and, to her surprise, pulled a sheet of turf up with it, which she wrapped around her shoulders like a cloak. As she stood up in relief, she opened her eyes a little again. Squinting, her eyes still swimming with tears, the pain, at least, was gone, and she was now covered by a long, feathered cloak.
Soothing this black and white confection back over her shoulders, she looked down at the long black and white shift that mercifully now covered her. She sighed in relief. Looking further down, and wiggling her toes, she realised that she was still barefoot, but this did not bother her at all. The grass, after all, tickled her feet pleasantly, and the air was warm. Looking around, she found herself standing on a manicured lawn, which was bisected by a path lined with shrubs of all sorts of curious shapes and sizes. The lawn was surrounded by trees with dark, deep shadows hovering beneath them. Seeing these shadows made the back of her neck prickle as her hackles rose. The only open aspect she could see was in the direction the path led. Over the tops of the higher of the oddly-shaped shrubs, she could make out a roof.
But she was alone. Of Biffy, Amanita, and Purlieu, there was no sign.
.
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